Art Nouveau Moriz Jung Cabaret Bat Enameled Advertising Sign by Josef Hoffmann, Vienna, 1960s

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About This Piece

Vintage Design

A domed, black & white enameled Art Nouveau advertising sign for Cabaret Fledermaus in Vienna. Artwork by Moriz Jung from the early 1900s, the production date is around the 1960s. High-quality workmanship, this sign is in excellent condition with marginally negligible patina, free of any damages. We are sure, this sign has never been displayed. A decorative object and recommended collectors piece. Cabaret Fledermaus was founded by Gustav Klimt, Josef Hoffmann and Oskar Kokoschka in 1907 as a theater in Viennas first district. The full interior, furniture and fabrics were planned by Josef Hoffmann and executed by Wiener Werkstätte.

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Creator	Josef Hoffmann
Design Period	1890 to 1919
Production Period	1960 to 1969
Country of Manufacture	Austria
Identifying Marks	This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style	Art Nouveau
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Restoration and Damage Details	Light wear consistent with age and use
Product Code	MWV-1818141
Materials	Iron
Color	White
Width	39 cm 38.1 cm
Depth	3 cm 2.5 cm
Height	41 cm 40.6 cm
Weight Range	Standard — Between 40kg and 80kg

Shipping & Delivery

Ships from	Austria
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

About the Creator

Josef Hoffmann

Architect-designer Josef Hoffmann was born in 1870 in Prinitz, Moravia (now Brtnice, the Czech Republic). He studied architecture at the Senior State Commercial and Technical School in Brünn (now Brno, Czech Republic). After a year of practice in Würzburg, Germany, he moved to Vienna, the city where he would remain for the rest of his life. He enrolled in the Academy of Fine Arts there, and, between 1892 and 1895, studied under both Karl von Hasenauer and Otto Wagner. From 1896 to 1897, he worked in Wagner’s Vienna studio. He also became one of the founding members of the Vienna Secession, a group of artists (including Gustav Klimt, Carl Moll, and others) who favored a modern, experimental approach to the arts. Hoffman’s contributions to several Secession exhibition installations, all influenced by the Art Nouveau-Jugendstil style, helped establish his name. In 1899, he was appointed a professor at Vienna’s Kunstgewerbeschule, a position he held until his retirement in 1936. He taught in the school’s architecture, metalwork, enamel, and applied art departments.

Around 1900, Hoffmann became a proponent of the Gesamtkunstwerk (or total work of art) approach, exemplified through unified architecture and interior design, with an emphasis on craftsmanship. He was cofounder and co-artistic director, alongside Koloman Moser, for the new Wiener Werkstätte (Vienna Workshops) beginning in 1903. In 1905, he left the Secession, and received the commission to design the Palais Stoclet in Brussels. Completed in 1911, the Stoclet was arguably Hoffmann’s most important architectural project.

Throughout his prolific 50-year career, Hoffmann designed everything from textiles to furniture, fashion, jewelry, exhibitions, and buildings for prestigious clients like Lobmeyr and Lötz. Later in his life, he focused primarily on housing projects. Aesthetically, his work evolved from Jugendstil to more minimal, geometric forms and then on toward neoclassicism.

He died in Vienna in 1956.