Capodanno No.71 Table Lamp by Ettore Sottsass for Studio Alchimia, 1979

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About This Piece

Vintage Design

Color as Voice, Material as Meaning. Step into a landmark moment in postmodern design with this Capodanno table lamp—an object that marks Ettore Sottsass’s decisive break from the austere functionalism of his Rationalist upbringing and his embrace of design as pure expression and symbol.

An Archetypal Gesture in Light and Form

At just 43 × 47 × 13 cm (17 1/4 × 18 1/2 × 5 1/8 in.), Capodanno is architecture reduced to its most elemental grammar: two brass cylinders (the “towers”) linked by a plain fluorescent rod (the “span”), all rising from a pedestal-like plinth. In Sottsass’s hands this becomes an archetype—evoking a city gate or even London’s Tower Bridge—yet the materials refuse to behave as architecture: the base wears a faux-stone laminate, the posts gleam in brass (structurally impossible at scale), and the beam remains gloriously mundane in its fluorescent banality .

Color as Voice, Material as Meaning

Where Modernism preached “form follows function,” Capodanno proclaims “material speaks louder than form.” The red and blue glass globes perched atop each column read both Bauhaus and circus‑clown, oscillating between high design and playful irreverence. The stone‑patterned base elevates the lamp—literally like a pedestal—but undercuts that elevation by revealing its laminate artifice. This deliberate tension—between elevated form and cheap surface, between industrial standard and exotic color—is precisely what makes Capodanno a manifesto of Alchimia’s alchemical ethos: the whole exceeds the sum of its unlikely parts .

A Pivotal Postmodern Artifact

Cast in a strictly limited edition (this example is No. 71), Capodanno sits at the very threshold of Sottsass’s work with Memphis and the broader Postmodern moment. It is simultaneously a lamp, an architectural model, a sculpture, and a stage set—an object that liberated design from utility alone and introduced narrative, irony, and symbolism into everyday life.

Condition: Very good.

IComes complete with a set of vintage replacement bulbs.

Dimensions: 43 × 47 × 13 cm (17 1/4 × 18 1/2 × 5 1/8 in.)

This design is recognized by the world’s leading institutions:

The Metropolitan Museum of Art, New York
Museum of Fine Arts, Houston (Dennis Freedman Collection)
Museum Boijmans van Beuningen Rotterdam
Own a singular milestone in design history: a lamp that laid the foundations for Postmodernism itself, now ready to illuminate your collection.

Colors may slightly vary due to photographic lighting sources or your monitor settings.

Wear consistent with age and use.

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* The cable of this item may be original and might need replacement, if not specified otherwise.

Creator	Ettore Sottsass
Manufacturer	Alchimia
Design Period	1970 to 1979
Year	1979
Production Period	Unknown
Country of Manufacture	Italy
Identifying Marks	This piece has an attribution mark
Style	Postmodern
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
	The vendor has confirmed this piece is in working order.
Restoration and Damage Details	Light wear consistent with age and use
Plug Type	European Plug (up to 250V)
Product Code	IEI-2220058
Materials	Brass, Glass, Laminate
Color	Blue, gold, red
Width	47 cm 47 cm
Depth	13 cm 13 cm
Height	43 cm 43 cm

Shipping & Delivery

Ships from	Netherlands
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery: (Included in Every Order)	A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below). The delivery partner will email and/or call you at least one day in advance to arrange a delivery time. A wooden crate may be used for intercontinental shipments for maximum protection. Item will be left in its packaging after delivery. A signature will be required upon delivery.
In-Home Delivery: (For in-home delivery service, additional fees apply. Please get in touch)	A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers. The delivery partner will email and/or call you one day in advance to arrange a delivery time. A wooden crate may be used for intercontinental shipments for maximum protection. Item will be left in its packaging after delivery. A signature will be required upon delivery.

Front Door Delivery:
(Included in Every Order)

A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)

A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
The delivery partner will email and/or call you one day in advance to arrange a delivery time.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

About the Creator

Ettore Sottsass

Born in Innsbruck, Austria in 1917, architect-designer Ettore Sottsass grew up in Milan. He studied architecture at the Polytechnic of Turin, graduating in 1939. As a member of the Italian army, Sottsass spent most of World War II in a Yugoslavian concentration camp. After the war, he returned to Milan and opened his first studio in 1947. Like most Italian designers in these years, he focused on activities to help the postwar reconstruction efforts, including exhibition design.

In 1958, he began working with Olivetti, for whom he designed multiple landmark objects—including Valentine, the brand’s iconic 1969 red plastic typewriter—and transformed the large, cold electronics and office machinery of the day into playful, accessible objects of desire.

During the 1960s, Sottsass spent time in both India, where he was deeply affected by the country’s vibrant colors and mythologies, and the U.S., where he embraced pop art culture. These influences can be seen in Sottsass's ceramic designs through the rest of his life.

In 1973, he cofounded Global Tools, an experimental design collective, alongside Gaetano Pesce, Alessandro Mendini, and others. During the ’70s, he collaborated with Alessi, Baccarat, and Knoll, designing everyday items like condiment sets and decanters. Other manufacturers that Sottsass designed for include Artemide, Bitossi, O-Luce, Poltronova, Skipper, Stilnovo, and Zanotta.

In 1980, he formed the architecture/design firm Sottsass Associati. In 1981, he founded the Memphis Group, an influential, flamboyant design firm known for its brightly colored post-modern furniture, ceramics, and lighting. He remained with the Group until 1985, at which point he turned his attentions again to architecture. He died at the age of 90.