Ceiling Lamp Model 3001/40 attributed to Gino Sarfatti for Arteluce, 1950s

About This Piece

Vintage Design

Modernist Model 3001/40 ceiling lamps designed by Gino Sarfatti and manufactured by Arteluce in Italy in 1950. Nice minimal design with the rounded shape and the acrylic glass shade that is slightly curved. The shade is held by screws on the side of the metal frame. Gives off nice soft diffused light. This is the later version of the 3001 which was produced in the seventies and is pretty rare. Could also function as a wall lamp. These lamps are in very good original condition. Literature; Gino Sarfatti 1938-1973 selected works, page 479 Arteluce original catalog, page 69 Gino Sarfatti – born in Venice in 1912 and with an educational background in engineering – started designing lamps and founded the company ‘Arteluce’ (the art of lighting) in 1939. Arteluce quickly established itself as a leading actor in shaping the modern Italian architectural movement and became a meeting place and hub for many of the leading Italian mid-century designers, including Franco Albini, Gianfranco Frattini, Sergio Asti and Ico Parisi for example. Sarfatti designed over 400 lighting products and made a significant contribution to innovating lighting design by experimenting with new materials, production methodologies and light sources. In 1951, he first began to work with plexi-glass. Gino Sarfatti was the first to design a lamp that uses halogen bulbs back in 1971. Sarfatti and Arteluce received several design awards including e.g., the prestigious Compasso d’Oro in 1954 and 1955, and the Honorary Diploma at the Milan Triennale. Arteluce was sold to Flos in 1973 and took over production of many lights. These lamps are checked in our own atelier, cleaned and are suitable for use in the USA.

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* The cable of this item may be original and might need replacement, if not specified otherwise.

Creator	Gino Sarfatti
Manufacturer	Arteluce
Design Period	1950 to 1959
Year	1950
Production Period	1950 to 1959
Country of Manufacture	Italy
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Vintage
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Product Code	NVG-1992433
Restoration and Damage Details	Wear consistent with age and use.
Materials	Metal
Color	Gold
Height	14 cm 14 cm
Diameter	40 cm
Weight Range	Standard — Between 40kg and 80kg

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Ships from	Netherlands
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

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*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Gino Sarfatti

Born in Venice in 1912, Gino Sarfatti studied aero-naval engineering at the University of Genoa. In 1939, he launched Arteluce, a modern lighting design firm that quickly established itself as a successful international brand, as well as a meeting place for many of the leading Italian designers of the time.

Over the course of his career, Sarfatti designed over 400 lamps, dedicating himself throughout to technical, material, and production research and experimentation. In the mid 1950s, he began to work with Plexiglas, and in the early ’70s, he pioneered the incorporation of halogen bulbs into fixtures. Notable designs include the 1958 Sarfatti pendant lamp.

Sarfatti and Arteluce won several awards, including the Compasso d’Oro in 1954 and 1955. Flos acquired Arteluce in 1973, before Sarfatti died in Gravedona in 1985.

About the Maker

Arteluce

Italian lighting design company Arteluce was established in 1939 by the young Venetian designer-entrepreneur Gino Sarfatti. Political upheaval at the time forced Sarfatti to abandon his aeronautical engineering degree in Genoa and move with his family to Milan. There, despite a lack of formal design training, Sarfatti embarked on a lighting career. Yet it is arguably because he was wholly self-taught that Sarfatti immersed himself in the full lifecycle of the design process, from conception to production, collaborating with artisans and architects to create stronger, lighter, and cheaper modernist lamps than Italy has seen before.

During the Second World War, Sarfatti fled to Switzerland, returning to Milan after the war to restart his company. In 1951, Arteluce’s first retail outlet opened on the bustling Corso Vittorio in central Milan (now named Corso Matteotti). The shop was re-designed by Marco Zanuso in 1953. Arteluce's second outlet, located on the glamorous Via della Spiga, was designed by Sarfatti's lifelong friend and fellow lighting designer Vittoriano Viganò in 1961.

Arteluce quickly established itself as a successful and visionary lighting brand thanks to Sarfatti’s commitment to technical, material, and production research. He designed over 400 lamps in his lifetime (though some sources say it was as many as 700), which are celebrated for their minimalist yet expressive aesthetic and experimental materials. In the mid-1950s, he began to work with Plexiglas, and, in the early 1970s, he pioneered the use of halogen bulbs into fixtures. Sarfatti also dedicated himself to improving every single element of a light fitting, from the switch to the wiring and the reflectors. The ultra-minimal Model 1063 (1954) would influence Italian floor lamp design for years to come. It was awarded the prestigious “Grand Prix” at the Milan Triennale and is known as the most eloquent example of Sarfatti's purist vision of beauty in everyday objects. In the same year, Arteluce was awarded the ADI Compasso d’Oro for the Model 559 and again the following year for the Model 1055.

In the 1960s, Arteluce became a creative hub for Italy’s most talented designers, producing designs by major talents, such as Franco Albini, Cini Boeri, Franca Helg, Ico Parisi, and Massimo Vignelli. The lighting installation for the Teatro Regio opera house in Turin—one of Arteluce's last projects, which comprised hundreds of pendant plexiglas tubes installed under the direction of legendary architect Carlo Mollino in 1972—is considered one of the company's greatest achievements.

In 1973, Sarfatti sold his business to Flos and retired to Lake Como. Many Arteluce creations are still in production today, and several original models are housed permanently in important museums like MoMA in New York. Somewhat forgotten after merging with Flos, Sarfatti’s designs are experiencing a renaissance amongst vintage collectors following the first retrospective exhibition of his work at the Triennale Design Museum in Milan in 2012.

* Images courtesy of Flos