Danish Modern Teak and Oak Desk by Ib Kofod Larsen for Fredericia, 1956s

Furniture designer Ib Kofod-Larsen was born Denmark in 1921 and studied at the Danish Royal Academy in Copenhagen. In 1948, he won the Holmegaard glass competition as well as an annual award from the Danish Cabinetmakers Guild. The latter drew the attention of Danish furniture manufacturer Faarup Møbelfabrik, and Kofod-Larsen went on to create some of his most beautiful works for the company, including his rosewood Model 66 sideboard, during the 1950s. He also designed furniture for several other leading midcentury manufacturers, both at home and abroad, including High Wycombe, Christensen & Larsen, Carlo Gahrn, Bovenkamp, Petersens, and Fredericia Furniture.

Kofod-Larsen frequently worked with gorgeous woods, such as teak and rosewood, as well rich leathers. Clean, sculptural lines characterize much of his work. Notable designs include the U-56 or Elizabeth Chair (1956), composed of a light teak frame and upholstered leather that was purported to have been named for England’s Queen Elizabeth II after she purchased a pair during a visit to Denmark in 1958; as well as the airy and modern Penguin chair (1953). The latter (sometimes referred to as the Shell) features a curved back that embraces the sitter and was originally produced by Petersens in Denmark. It went on to also find great success with the Selig company, which imported and sold thousands of copies in various iterations (settees, dining chairs, and more in various woods and upholsteries) in the U.S. market starting in the 1950s. Kofod-Larsen’s striking teak and leather-upholstered Sälen (or Seal) easy chairs for OPE (also 1950s) have become increasingly popular on the vintage market in recent years. 

Kofod-Larsen passed away in 2003. Today, the designer’s pieces have become more frequently collected, in large part due to Kofod-Larsen’s talent for honoring the innate qualities of his chosen materials.

Danish furniture maker Fredericia Stolefabrik was founded in 1911 by N. P. Ravnsø in an industrial port town of the same name—where, the year prior, the era's largest Scandinavian design fair, the Nordic International Furniture Exhibition, was held. The company and the town continued to host the fair until 1983. 

From the start, Ravnsø built Fredericia's reputation on quality and hired only the most skilled craftsmen he could find. The company's early collections in the 1920s reflected the influence of pared-back, English and Central European designs. In 1934, Thonet made an exclusive licensing agreement with Fredericia for the Scandinavian region. To meet the high demand, Fredericia doubled its production staff. However, with the Nazi occupation of Denmark during the Second World War, raw materials were scarce and Fredericia struggled to survive. In the aftermath of the war, Fredericia was faced with bankruptcy.

In 1955, the Ravnsø family sold Fredericia to Andreas Graversen, an interior architect involved with Denmark's national design co-op, the FDB, to aid in postwar economic recovery. His first order of business would be to bring in the FDB's studio manager, Børge Mogensen as head of design.

During his years with the FDB, Mogensen had worked with Hans Wegner to develop modern, functionalist, affordable furniture collections. Graversen wanted Mogensen's "unpretentious, pure, and honest" design ethos to define Fredericia's future. The No. 1 Sofa (1955) was Mogensen's first design for Fredericia. The following year, Fredericia produced a collection of Shaker-inspired dining furniture by Mogensen, alongside a number of designs originally developed during Mogensen's years at the FDB, such as his famous Spindle-Back Sofa (1945) and Hunting Chair (1950). In 1958, Fredericia introduced Mogensen's iconic Spanish Chair.

Mogensen stayed with Fredericia until his untimely death in 1972. In 1980, Fredericia acquired the license for a number of Mogensen's designs for P. Lauritzen & Son, in order to consolidate Mogensen's oeuvre under one brand. 

Over the years following Mogensen's passing, Frederica has continued to cultivate fruitful partnerships with prestigious Danish designers. In 1989, Federica acquired production rights for a range of Wegner furniture previously manufactured by the Johannes Hansen. In the 1990s, Fredericia began working with Nanna Ditzel, a. k. a “the Queen of Danish Design,” known for her innovative designs in foam, plastic, and rattan. Her Bench for Two for Fredericia (1989) won several awards in Denmark and Japan—a feat she repeated with Fredericia's Trinidad Chair for Fredericia in 1993.

In 2014, in tribute to Børge Mogensen's lasting legacy, Fredericia reissued a number of designs by Mogensen on the centenary of his debut at the company.

With a deep respect for tradition, Fredericia Stolefabrik has remained family-owned and changed hands only once throughout hundred-year history. The company has continuously prided itself on excellent Danish craftsmanship.

* Images courtesy of Fredericia