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Executive Chair by Eero Saarinen for Knoll International, 1960s

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  • Executive Chair by Eero Saarinen for Knoll International, 1960s 1
  • Executive Chair by Eero Saarinen for Knoll International, 1960s 2
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About This Piece

Vintage Design

This piece of furniture is an iconic pair of executive chairs designed by Finnish-American architect and designer Eero Saarinen in the 1960s.

The chairs were produced by the renowned manufacturer Knoll International.

Saarinen originally developed the design as part of his collaboration with Florence Knoll. The characteristic form, with its flowing lines and organically shaped backrests, reflects his pursuit of comfort, elegance, and modern sculpturality.

The seat shell consists of an upholstered structure wrapped in a high-quality tweed fabric with a so-called "salt and pepper" look. The color scheme is a restrained blend of natural and beige tones with a fine mottled texture, giving the chairs a warm yet soberly modern appearance. The backrest flows seamlessly into the armrests, enhancing seating comfort and creating an inviting design language. The seat is complemented by a loose cushion, characterized by its comfortable padding.

The chairs are supported by four slender, slightly flared legs made of chrome-plated tubular steel, which lend the composition a visual lightness while ensuring stability. The floor glides are fitted with flat plastic discs to protect the floor and improve the chairs' mobility.

Condition:
Both chairs are in well-preserved original condition with a charming patina. The fabric shows slight signs of age-related wear in places, typical for furniture of this age. The upholstery is still taut overall and offers comfortable seating. The chrome legs are shiny but show slight signs of wear and occasional fine scratches. Overall, this is a beautiful, authentic pair of classic mid-century chairs that will add stylish accents to both the home and office.

Dimensions: L62 x W63 x H79 cm
Seat height 48 cm
Armrest height 64 cm

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Eero Saarinen
Manufacturer Knoll Inc. / Knoll International
Design Period 1960 to 1969
Production Period Unknown
Country of Manufacture Italy
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Vintage, Mid-Century, Design Classics, Bauhaus
Detailed Condition Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Restoration and Damage Details
Light wear consistent with age and use, Die beiden Stühle befinden sich in einem gut erhaltenen Originalzustand mit einer charmanten Patina. Der Stoff weist stellenweise leichte altersbedingte Gebrauchsspuren auf, wie sie für Möbel dieses Alters typisch sind.
Product Code IBE-2233103
Materials Textile, Tubular Steel
Color Brown, silver
Width 62 cm 62 cm
Depth 63 cm 63 cm
Height 79 cm 79 cm
Seat Height 48 cm

Shipping & Delivery

Ships from Switzerland
Returns Returns accepted within fourteen days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

About the Creator

Eero Saarinen

Eero Saarinen

Eero Saarinen (1910-1961) was a Finnish-born American industrial designer and architect who helped pioneer the neo-futurism style and redefining modernism in midcentury America. Son to influential architect Eliel Saarinen (1873-1950) and sculpturist and textile designer Lola Gesellius Saarinen (1879-1968), Saarinen from an early age exhibited a strong interest in design and architecture.  At the age of thirteen, he and his family emigrated to America, where he went on to study sculpture and furniture design at the Bauhaus-inspired Cranbrook Academy of Art in Michigan. (His father taught there as well.) There he befriended future design luminaries Charles Eames (1907–1978) and Florence Knoll (née Schust, b. 1917). In 1929, he continued his education at Paris’s Académie de la Grande Chaumière, and subsequently at Yale University, graduating with a degree in architecture in 1934.

In 1936, Saarinen joined his father’s architectural practice, which was renamed Eero Saarinen & Associates after his father passed in 1950. His well-known projects include the Gateway Arch in St. Louis, Missouri (1947); the General Motors Technical Center in Warren, Michigan (1956); the main terminal of Dulles International Airport in Washington, D.C. (1958); and the TWA Terminal at Kennedy International Airport (1962).

Beyond Saarinen’s many architectural accomplishments, he also maintained a successful career in furniture design. In 1940, working in collaboration with Charles Eames, he designed a collection of plywood chairs, which won first prize in all categories for the Organic Design in Home Furnishings competition sponsored by the Museum of Modern Art in New York. Though the chairs never made it into production, Saarinen designed many other iconic pieces for friends Hans and Florence Knoll, including the Grasshopper Lounge Chair and Ottoman (1946), Womb Chair and Ottoman (1948), and the Tulip Collection (1956)—arguably his most famous series which featured side chairs  and armchairs , as well as coffee , dining , and side tables .

Saarinen died at the age of 51 during surgery to remove a brain tumor. His business partners Kevin Roche and John Dinkeloo at Saarinen & Associates completed his ten remaining projects.

Designing in postwar America, Saarinen is known for introducing curvilinear and organically-inspired forms into both his architecture and industrial designs. Over the course of his career, Saarinen received many awards and accolades, including becoming a fellow of the American Institute of Architecture in 1952 and winning the AIA Gold Medal posthumously in 1962. Saarinen’s designs have been featured in exhibitions around the world, including the National Building Museum in Washington D.C. and the Museum of Finnish Architecture in New York.

About the Maker

Knoll Inc. / Knoll International

Knoll Inc. / Knoll International

Hans Knoll was born in 1914 in Stuttgart, Germany, into the successful manufacturing family behind Walter Knoll & Co. Early-20th-century Germany was an epicenter of modernist design theory—most notably expressed in the products and practices of the Deutscher Werkbund association of artists, architects, designers, and industrialists, as well as the influential Bauhaus school—which advocated for design rooted in the principles of rationality, functionalism, and mass production. This milieu had a profound influence on Hans and inspired him to produce furniture for the new age. In 1937, after a stint in London, he moved to the United States and brought his modernist vision with him.

Florence Knoll (neé Schust) was born in Saginaw, Michigan in 1917 and from an early age exhibited a strong interest in architecture. After graduating from the Kingswood School for Girls in 1934, she moved across campus to the newly formed, Bauhaus-inspired Cranbrook Academy of Art to study architecture under recent émigré, Finnish architect Eliel Saarinen. There she befriended future design luminaries Charles Eames and Eero Saarinen. She went on to Columbia University’s School of Architecture to study town planning. In 1937, she apprenticed under former-Bauhaus professors Walter Gropius and Marcel Breuer in Cambridge, Massachusetts, and a few years later, enrolled at the Illinois Institute of Technology, where German architect Ludwig Mies van der Rohe became a life-long mentor to her.

In 1938, Hans Knoll established The Hans G. Knoll Furniture Company as a furniture exporter in a small space on East 72nd Street in New York City. As the company quickly grew, it evolved into a manufacturing business. In 1941, he opened his first plant in a former dance hall in East Greenville, Pennsylvania and hired Danish designer Jens Risom, who eventually helped him develop the first, original Knoll furniture designs. That same year, Hans met Florence on an interior design project and, recognizing her exceptional taste and eye, hired her to bring in business with architects and interior designers and, later, to provide in-house planning and interior design expertise for a growing corporate clientele. In 1946, Hans and Florence married and renamed the company Knoll Associates. That same year, the Knolls formally established the Planning Unit, solidifying the company’s role in the design of interior spaces. In 1951, Knoll International was launched as the German and French arms of Knoll, producing Knoll designs for the European market. Sadly, Hans died in a tragic car crash in 1955, but Florence remained actively involved until she retired in 1965.

Knoll’s signature pieces include Breuer’s Wassily Chair (1925), Mies van der Rohe’s Barcelona Chair (1929/1948), Harry Bertoia’s Diamond Chair (1952), Eero Saarinen’s Tulip Armchair (1957), as well as Florence‘s own furniture collection developed through the 1950s. Knoll’s impressive catalogue includes a who’s-who list of midcentury modern and contemporary design figures, including Jens Risom, Alexander Girard, George Nakashima, Isamu Noguchi, Richard Schultz, Warren Platner, Charles Pollock, Andrew Morrison & Bruce Hannah, Vignelli Associates, Richard Sapper, Maya Lin, Frank Gehry, and Rem Koolhaas. As of this writing, Knoll’s most recent collaboration is with David Adjaye, who designed the Washington Collection for Knoll and the Adjaye Collection for KnollTextiles. Today, the company is particularly focused on meeting the evolving needs of the 21st-century workplace.

In 2011, Knoll received the National Design Award for Corporate and Institutional Achievement from the Cooper Hewitt, Smithsonian Design Museum in New York. The award recognized Knoll’s legacy in American modern design and the company’s commitment to promoting the relationship between good design and quality of life. Knoll designs can be found in the permanent design collections of institutions around the world, including more than 30 acquired by New York’s Museum of Modern Art.

 

* All images courtesy Knoll, Inc. The David Adjaye Skeleton Chair was photographed by Joshua McHugh.

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White Surf Table by Bartoli Design for Segis

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White Surf Table by Bartoli Design for Segis

Stacking Chairs in Red from Castelli / Anonima Castelli, 1995s

€272
Stacking Chairs in Red from Castelli / Anonima Castelli, 1995s

Vintage Folding Chair in Pine, 1970s

Sold Out
Vintage Folding Chair in Pine, 1970s

Postmodern Nordisk Side Chairs by Tina Christensen for Ikea, Set of 6

€396
Maker's Mark
Postmodern Nordisk Side Chairs by Tina Christensen for Ikea, Set of 6

White Poli Model 3700 Stacking Chairs from Dietiker, 1993

€580
Maker's Mark
White Poli Model 3700 Stacking Chairs from Dietiker, 1993

Vintage Kilta Chairs by Olli Mannermaa for Cassina, 1970s

€1,587
Vintage Kilta Chairs by Olli Mannermaa for Cassina, 1970s

Mid-Century Lowboard from Unbekannt, Italy, 1950s

€1,656
Mid-Century Lowboard from Unbekannt, Italy, 1950s

Mid-Century DKR Bikini Chairs by Charles Eames for Vitra

€765
Mid-Century DKR Bikini Chairs by Charles Eames for Vitra

Sissach Spaghetti Chairs from Bigla, 1960s, Set of 4

€2,095
Maker's Mark
Sissach Spaghetti Chairs from Bigla, 1960s, Set of 4

Mid-Century Stool Chair Set by Paul McCobb, 1920s, Set of 4

€5,635
Maker's Mark
Mid-Century Stool Chair Set by Paul McCobb, 1920s, Set of 4
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More Products

  • All Lounge Chairs
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  • Eero Saarinen Lounge Chairs & Armchairs
  • Knoll Inc. / Knoll International Lounge Chairs & Armchairs
  • Mid-Century Lounge Chairs
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