Italian B3 Wassily Chair in Tan attributed to Marcel Breuer for Gavina, 1960s

About This Piece

Vintage Design

Wassily is an iconic armchair that doesn't need presentations.
Here is an original Gavina edition realised between 1962 and 1968. The furniture manufacturer Gavina acquired the rights to the B3 armchair in 1962 and gave it the name Wassily chair. When Knoll International took over Gavina in 1968, the production of the Wassily Chair continued to this day.
This Bauhaus icon designed by Marcel Breuer in the 1920s as B3 is good condition with an attractive patina. The cognac leather is really rare and it's still the original one by giving an extra value to this genuine piece.
Another important sign of originality is shown by the steel tubing where the tubes' ends were severed and consequently totally flat.

A rare cognac Italian leather Wassily with natural signs of the time passed (more than 60 y.o.) but with an inner authentic soul!
Last but not least, the design of the chair allows a very comfortable seating.
This chair is perfect for any place and anybody.
Even 100 years after its creation, this chair is still fresh, modern, and desirable.

Click here for full description Close description

Creator	Marcel Breuer
Manufacturer	Gavina
Design Period	1920 to 1949
Production Period	1960 to 1969
Country of Manufacture	Italy
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Bauhaus
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Restoration and Damage Details	Patina consistent with age and use, Surface has been polished, Professionally cleaned and treated with leather care
Product Code	NQU-1605745
Materials	Cow Leather
Color	Brown, tan
Width	78 cm 78 cm
Depth	71 cm 71 cm
Height	70 cm 70 cm

Shipping & Delivery

Ships from	Netherlands
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Options

Front Door Delivery: (Included in Every Order)	A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below). The delivery partner will email and/or call you at least one day in advance to arrange a delivery time. A wooden crate may be used for intercontinental shipments for maximum protection. Item will be left in its packaging after delivery. A signature will be required upon delivery.
In-Home Delivery: (For in-home delivery service, additional fees apply. Please get in touch)	A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers. The delivery partner will email and/or call you one day in advance to arrange a delivery time. A wooden crate may be used for intercontinental shipments for maximum protection. Item will be left in its packaging after delivery. A signature will be required upon delivery.

Front Door Delivery:
(Included in Every Order)

A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)

A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
The delivery partner will email and/or call you one day in advance to arrange a delivery time.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Marcel Breuer

Born and raised in Pecs, Hungary, famed modernist architect-designer Marcel Breuer earned a scholarship to study painting and sculpture at Vienna Academy of Fine Art in 1920, but quickly dropped out and applied to the Bauhaus school in Weimar, Germany. After completing his preliminary courses there, he trained at the Bauhaus furniture workshop between 1921 and 1924. He then went on to run the furniture workshop at the new Bauhuas in Dessau, where he created what is cited as the first tubular steel armchair (1925-1926), presented in 1927 as the Type B3 Steel Club Chair (and later renamed the Wassily after Bauhaus teacher Wassily Kandinsky).

After a brief spell in Switzerland Breuer joined former Bauhaus director Walter Gropius in London in 1935. As Breuer’s career progressed, he began to focus more on architectural projects than design. In addition to his tubular steel furniture and plywood pieces for the Isokon company, he was recognized for residences, shop interiors, and multiple competition entries.

In 1937, Breuer and Gropius moved to the US, both teaching for a time at Harvard and briefly partnering in an architectural practice. Together, they designed the Pennsylvania Pavilion for the 1939 New York World’s Fair in addition to multiple private dwellings. Their partnership dissolved in 1941, but the two remained friends. In 1946, Breuer left Harvard and opened an office in New York. Over the course of the rest of his career, Breuer designed over seventy private houses and multiple university and office buildings. Notably, in 1948, the Museum of Modern Art in New York organized a touring exhibition of his work, and the following year, commissioned him to design a house in its garden; both events significantly boosted Breuer's career. In 1953, he designed UNESCO’s headquarters in Paris with Pier Luigi Nervi and Bernard Zehrfulss, and, in 1963, he designed the Whitney Museum of American Art in New York.

Breuer died in New York in 1981.