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Mid-Century Dining Set by Ole Wanscher for Poul Jeppesens Møbelfabrik, 1960s

  • Mid-Century Dining Set by Ole Wanscher for Poul Jeppesens Møbelfabrik, 1960s 1
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€2,450.00
Price per set
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About This Piece

Vintage Design

- Dining table set in mahogany wood & veneer
- Designed by Ole Wanscher for Poul Jeppesen in the 60s
- Consists of a dining table that can be transformed from a 6 to 10 person table with 6 chairs
- The chairs are upholstered with its original striped blue fabric
- The table has a metal extension mechanism where the extension blades are placed on

Dimensions:

- Table: W145 x D105 x H74 cm, sheets each B65, extended total with 2 sheets: 275 cm
- Chairs: B44 x D46 H77 cm, seat height 44 cm
Designer Ole Wanscher
Manufacturer Poul Jeppesens Møbelfabrik
Design Period 1960 to 1969
Production Period 1960 to 1969
Country of Manufacture Denmark
Attribution Marks This piece has an attribution mark such as a manufacturer’s label, a certificate of authenticity, or a production mark
Style Vintage, Mid-Century, Scandinavian Modern
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
Restoration and Damage Details Light wear consistent with age and use, Patina consistent with age and use, An imperfection on the lacquer of the top (see photos)
Product Code SN-377602
Materials Fabric, Mahogany, Veneer
Color Brown, medium blue
Width 145 cm 145 cm
Depth 105 cm 105 cm
Height 74 cm 74 cm
Weight Range Heavy — Over 80kg
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks

Shipping & Delivery

Shipping Method Front Door Delivery - 2 to 4 weeks
Ships from Netherlands
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks

About the Designer

Ole Wanscher

Born in Copenhagen in 1903, Danish architect-designer Ole Wanscher was a key player in Denmark's midcentury modern movement. In the postwar era, the simple and refined aesthetic he achieved by reinventing classic forms helped define Scandinavian design, and many of his pieces became staples in Scandinavian homes.

Wanscher studied at the Royal Danish Academy of Fine Arts under famous architect-designer Kaare Klint (1888-1954). Upon graduating, Wanscher worked with Klint from 1924 to 1927 and, after Klint passed away, Wanscher was given Klint's professorship at the academy —a position he held until he retired in 1973.

In 1927, Wanscher opened his own architecture firm, specializing in furniture design. Like Klint, Wanscher disagreed with the modernist full-sail rejection of the past and preferred to explore classic yet minimal aesthetics informed by precise study of the human body. Wanscher was also heavily influenced by Greek, Chinese, and Egyptian designs—which he encountered during his many travels abroad—as well as proto-modernist movements, like the Viennese Secession, Biedermeier, and Shaker styles.

Between the 1940s and 1960s, Wanscher enjoyed fruitful collaborations with small-scale, artisanal cabinetmakers, like the masterful A. J. Iversen (1888-1979), as well as well as larger-scale Danish companies, such as France & Søn, Fritz Hansen, Poul Jeppesen, and Rud Rasmussen. With Iversen, he created the iconic Ladies Desk (1954) and Egyptian Stool (1957). Other standout Wanscher designs include the PJ-149 Colonial Chair (1949), Rungstedlund Dining Chair (ca. 1950), and PJ-112 Sofa (1951) for Poul Jeppesen; as well as the 110 Rocking Chair (1951) and Senator Easy Chair (1951) for France & Søn .

Wanscher went on to write various articles and publish several books on design history, such as The History of the Arts of Furniture (1956) and Five Thousand Years of Furniture (1967).

Although less known than many of his contemporaries—Finn Juhl, Hans Wegner, Poul Henningsen, and so on—Wanscher made a strong impression on many important critics. In 1958, Sven Erik Moller wrote in Danish newspaper Politiken: "If one owns a chair by Wanscher, it will be an experience every day—perhaps for hundreds of years, because that is how long it will last. One senses the man behind the chair and the value of man-made work…" And in 2003, famous New York Times art critic Roberta Smith commented: "He combined fully and equally the talents of a master craftsman, designer, and sculptor with those of a historian. In particular, his sensitivity to the luster and living delicacy of wood enabled him to bring organic life and a rich sense of the past to the indelibly modern spareness of the International Style."

Wanscher passed away in 1985. Many of Wanscher's design remain in production with Carl Hansen & Søn.

About the Maker

Poul Jeppesens Møbelfabrik

Scant information remains available on Danish furniture manufacturer P. Jeppesen Møbelfabrik A/S, even though the company achieved a great deal of success between the 1940s and 1960s producing the designs of well-known designers Ole Wanscher (1903-1985) and Grete Jalk (1920-2006), alongside the work of lesser known designers like Wilhelm Wohlert, Gorm Lindum, Jørgen Posborg, Troels Grum-Schwensen, and Morten Gøttler.

Sometimes also written as Poul Jeppesen or PJ Furniture, the date that the company was established is unknown. However, records show that sometime in the 1950s, Wanscher left his private firm and joined P. Jeppesens Møbelfabrik as head designer, a role that would last for the rest of his professional life.

Notable P. Jeppesen designs include Wanscher’s PJ-149 Colonial Chair (1949), Rungstedlund Dining Chair (c. 1950), and PJ-112 Sofa (1951); as well as Jalk’s iconic postwar GJ Chair—also known as the Shell Chair (1963). This teak-veneered, molded plywood piece features a distinct origami-like shape achieved through an intricate bending and laminating process; the complexity of the fabrication in those early years limited its manufacture to only a few hundred. Nevertheless, it was snapped up by New York's Museum of Modern Art the year it was released. In 2009, the GJ Chair went back into production with Danish manufacturer Lange, and, unsurprisingly, the original mid-century editions remain highly sought after on the secondary market.

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