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Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938

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  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 1
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 2
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 3
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 4
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 5
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 6
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 7
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 8
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 9
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 10
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 11
  • Mod. No. 2007 Counterweight Suspension by Gino Sarfatti for Arteluce, 1938 12

The seller assumes all responsibility for this listing.

About This Piece

Early and very rare extandable counterweight suspension designed by Gino Sarfatti in 1938, Mod. No. 2007.
Manufactured by Arteluce in the 1930-1940s.

Large gold outside, ivory inside laquered diffuser with a perforated chrome counter-cup, The brass counterweight is filled with hunter buckshots. The pulley is made of wood. The fabric cable is renewed.

References: Gino Sarfatti. Opere scelte 1938-1973. Selected works, site 121 (as imaged).

Gino Sarfatti was a significant figure in the history of Italian industrial design. He founded 1939 his company Arteluce, which brought lighting into the 20th century combining innovative ideas with groundbreaking design. Arteluce won numerous prizes and awards including the Compasso d’Oro in 1954 and 1955.

Measures: diameter 23.6” in. (60 cm), height 43 - 98" in. (extendable 110 - 250 cm).
Lighting: takes one large Edison E27 base screw bulbs.
Wattage: we recommend up to 60w per bulb. Works on 220v as well as 110v.
Condition: very good vintage condition with minor, hardly visible scratches and one very small dent.

Wiring: the lamp has been tested with US American light bulbs under 120v and works flawlessly, no tools or rewiring required. All our goods are originally wired for 220v. Delivery without bulbs.

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Gino Sarfatti
Manufacturer Arteluce
Design Period 1920 to 1949
Production Period 1930 to 1939, 1940 to 1949
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Vintage
Detailed Condition Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Restoration and Damage Details
Light wear consistent with age and use, Patina consistent with age and use, Bulb not included, Tested, New cable, Hardly visible scratches, 1 very small dent
Product Code DEK-2203395
Materials Brass, Nickel, Chrome Plating
Color Gold, silver, white
Height 110 cm 110 cm
Diameter 60 cm

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Returns Returns accepted within fourteen days of delivery, except for Made-to-order items

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  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.

Product Safety Information

Additional Product Safety Information The product offered was manufactured before January 1, 1997 and has no CE marking or we do not have further CE-relevant information.

About the Creator

Gino Sarfatti

Born in Venice in 1912, Gino Sarfatti studied aero-naval engineering at the University of Genoa. In 1939, he launched Arteluce, a modern lighting design firm that quickly established itself as a successful international brand, as well as a meeting place for many of the leading Italian designers of the time.

Over the course of his career, Sarfatti designed over 400 lamps, dedicating himself throughout to technical, material, and production research and experimentation. In the mid 1950s, he began to work with Plexiglas, and in the early ’70s, he pioneered the incorporation of halogen bulbs into fixtures. Notable designs include the 1958 Sarfatti pendant lamp.

Sarfatti and Arteluce won several awards, including the Compasso d’Oro in 1954 and 1955. Flos acquired Arteluce in 1973, before Sarfatti died in Gravedona in 1985.

About the Maker

Arteluce

Italian lighting design company Arteluce was established in 1939 by the young Venetian designer-entrepreneur Gino Sarfatti. Political upheaval at the time forced Sarfatti to abandon his aeronautical engineering degree in Genoa and move with his family to Milan. There, despite a lack of formal design training, Sarfatti embarked on a lighting career. Yet it is arguably because he was wholly self-taught that Sarfatti immersed himself in the full lifecycle of the design process, from conception to production, collaborating with artisans and architects to create stronger, lighter, and cheaper modernist lamps than Italy has seen before.

During the Second World War, Sarfatti fled to Switzerland, returning to Milan after the war to restart his company. In 1951, Arteluce’s first retail outlet opened on the bustling Corso Vittorio in central Milan (now named Corso Matteotti). The shop was re-designed by Marco Zanuso in 1953. Arteluce's second outlet, located on the glamorous Via della Spiga, was designed by Sarfatti's lifelong friend and fellow lighting designer Vittoriano Viganò in 1961.
 
Arteluce quickly established itself as a successful and visionary lighting brand thanks to Sarfatti’s commitment to technical, material, and production research. He designed over 400 lamps in his lifetime (though some sources say it was as many as 700), which are celebrated for their minimalist yet expressive aesthetic and experimental materials. In the mid-1950s, he began to work with Plexiglas, and, in the early 1970s, he pioneered the use of halogen bulbs into fixtures. Sarfatti also dedicated himself to improving every single element of a light fitting, from the switch to the wiring and the reflectors. The ultra-minimal Model 1063 (1954) would influence Italian floor lamp design for years to come. It was awarded the prestigious “Grand Prix” at the Milan Triennale and is known as the most eloquent example of Sarfatti's purist vision of beauty in everyday objects. In the same year, Arteluce was awarded the ADI Compasso d’Oro for the Model 559 and again the following year for the Model 1055.
 
In the 1960s, Arteluce became a creative hub for Italy’s most talented designers, producing designs by major talents, such as Franco Albini, Cini Boeri, Franca Helg, Ico Parisi, and Massimo Vignelli. The lighting installation for the Teatro Regio opera house in Turin—one of Arteluce's last projects, which comprised hundreds of pendant plexiglas tubes installed under the direction of legendary architect Carlo Mollino in 1972—is considered one of the company's greatest achievements.

In 1973, Sarfatti sold his business to Flos and retired to Lake Como. Many Arteluce creations are still in production today, and several original models are housed permanently in important museums like MoMA in New York. Somewhat forgotten after merging with Flos, Sarfatti’s designs are experiencing a renaissance amongst vintage collectors following the first retrospective exhibition of his work at the Triennale Design Museum in Milan in 2012.

* Images courtesy of Flos

€18,000
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