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Model 31 Paimio Chair from Alvar Aalto, 1940s

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  • Model 31 Paimio Chair from Alvar Aalto, 1940s 1
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About This Piece

Vintage Design

Rare sculptural and collectable armchair model No. 31 / Paimo by Alvar Aalto. Produced by Huonekalu-ja Rakennustyötehdas Oy Turku, produced during the 1930/40s. Steam bent plywood beech frame, seat in laminated root veneer. The armchair model no. 31 was designed in 1931/32 and manufactured at first by Huonekalutehdas Korhonen Oy, formerly called O.Y. Huonekalu- ja Rakennustyötehdas A.B, now known as model 42 and produced by Artek. The chair was first presented by Aalto in the spring of 1932 as a proposal for the interior design of the Paimio Sanatorium. The common rooms of the sanatorium were furnished with cheerful coloured chairs, among others the armchair no.31. As the story goes, the shape of the chair was designed to assist the patients’ breathing. In 1933, the model no. 31, this time a upholstered version was also shown in London as part of the ‘Wood Only’ exhibition. The armchair was shown in the years to follow at several international exhibitions, including the Triennale di Milano, 1936. Later, this chair has been referred to as model no. 42, or 'Small Paimio', referring to the Paimio Sanatorium where it was first used. There is no difference between model 31 and 42. However, the model 42 is still in production today by Artek, and the production of model 31 discontinued. The earliest production models of the no. 31 have sides / base (armrests) made out of beech, this later changed into birch. Huonekalutehdas Korhonen Oy, formerly called O.Y. Huonekalu- ja Rakennustyötehdas A.B is a former furniture producer located in Littoinen, Kaarina, Finland. The company was once known for manufacturing Alvar Aalto designed furniture. The company was started in 1910 when Otto Korhonen and three other carpenters bought Puuseppien Osuuskunta ("Carpenters' Co-operative") based in Turku, then the Grand Duchy of Finland. At the end of the 1920s Otto Korhonen partnered with architect Alvar Aalto. Aalto had recently gotten into two large projects: the Southwestern Agricultural Cooperative Building in Turku and the Paimio Sanatorium. The sanatorium was the most significant collaborative project between Korhonen and Aalto. Aalto designed the building itself; he and Korhonen designed a range of armchairs and tables for the facility's personnel and patients. Huonekalu- ja Rakennustyötehdas manufactured the furniture and other interior elements. The Paimio Sanatorium project represents the introduction of Aalto's stackable furniture designs which later influenced the American designers Charles and Ray Eames. In the 1930s Huonekalu- ja Rakennustyötehdas developed a special wood bending method. Aalto used the technique extensively. Korhonen's furniture production was sold to Artek, a subsidiary of Vitra, in 2014 and continues in Littoinen under the new name. Literature: Tuukkanen, Pirkko, Alvar Aalto: Designer, Vammala (Alvar Aalto Foundation) 2002.

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* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Alvar Aalto
Manufacturer Oy Huonekalu-ja Rakennustyötehdas Ab (Manufacturer) , Alvar Aalto (Designer)
Design Period 1920 to 1949
Production Period 1930 to 1939
Country of Manufacture Sweden
Identifying Marks This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style Vintage, Scandinavian Modern
Detailed Condition Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Product Code RCK-2410421
Restoration and Damage Details
Minor structural damages
Materials Beech
Color Brown
Width 61 cm 61 cm
Depth 65 cm 65 cm
Height 71 cm 71 cm

Shipping & Delivery

Ships from Sweden
Returns Returns accepted within fourteen days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Product Safety Information

EU Responsible Person Pamono GmbH
Uhlandstr. 175
10719
Berlin

About the Creator

Alvar Aalto

Alvar Aalto

Architect-designer Alvar Aalto was born in Kuortane, Finland in 1898. He enrolled at the Helsinki Institute of Technology in 1916 and, although his studies were disrupted by the Finnish Civil War, he graduated with a degree in architecture in 1921. In 1923, he established an architectural studio in Jyväskylä, Finland, marrying fellow architect Aino Mandelin the following year. In 1927, the office moved to Turku. Aalto’s aesthetic evolved from a neo-classical style to a functionalist one during the late 1920s and, in the 1930s, moved towards a less rigid Rationalism with an eye for nature’s organic models, ultimately embracing modernism in the 1950s.

Aalto was committed to the concept of a Gesamtkunstwerk (total work of art), emphasizing fluidity between his projects’ surrounding environments and their interiors. He experimented with plywood in designs such as the Paimio Chair (1931–32), while the Paimio Sanatorium (1932) was driven by the idea that the building itself could contribute to the healing process. In 1935, Aalto met factory owners Maire and Harry Gullischsen, with whom he launched Artek. The furniture company manufactured and sold Aalto’s designs in Finland and abroad, and thanks in part to his relationship with the Gullischsens, Aalto received important large-scale Finnish industry planning and building commissions.

In 1937, Aalto designed the Finnish Pavilion at the International Expo of Arts and Technology in Modern Life in Paris. Its success led to a solo exhibition at the Museum of Modern Art in New York the following year. In 1939, he designed the Finnish Pavilion at the World’s Fair in New York. During the 1940s, he taught architecture at the Massachusetts Institute of Technology (MIT) in Cambridge; his time there culminated in his design of the Baker House Dormitory (1947–49). Working on the postwar reconstruction of Finland’s towns and cities, he advocated flexible standardization of large-scale industrialized building, wherein the building elements could be combined in multiple ways to satisfy various environments and users’ needs.

During the 1950s and 1960s, Aalto was highly productive; notable projects include the Kansaneläkelatos (National Pensions Insurance Institute) in Helsinki as well as commissions outside Finland, ranging from a lavish residence near Paris for art dealer Louis Carré (1956) to a church in the mountain town of Riola, Italy (built 1975–80). Following Aino’s passing in 1949, Aalto married architect Elissa Mäkiniemi in 1952.

Aalto passed away in 1976 in Helsinki.

€29,499
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