PD30 Lounge Chair in Oak by Ib Kofod Larsen for Bovenkamp, 1960s

Furniture designer Ib Kofod-Larsen was born Denmark in 1921 and studied at the Danish Royal Academy in Copenhagen. In 1948, he won the Holmegaard glass competition as well as an annual award from the Danish Cabinetmakers Guild. The latter drew the attention of Danish furniture manufacturer Faarup Møbelfabrik, and Kofod-Larsen went on to create some of his most beautiful works for the company, including his rosewood Model 66 sideboard, during the 1950s. He also designed furniture for several other leading midcentury manufacturers, both at home and abroad, including High Wycombe, Christensen & Larsen, Carlo Gahrn, Bovenkamp, Petersens, and Fredericia Furniture.

Kofod-Larsen frequently worked with gorgeous woods, such as teak and rosewood, as well rich leathers. Clean, sculptural lines characterize much of his work. Notable designs include the U-56 or Elizabeth Chair (1956), composed of a light teak frame and upholstered leather that was purported to have been named for England’s Queen Elizabeth II after she purchased a pair during a visit to Denmark in 1958; as well as the airy and modern Penguin chair (1953). The latter (sometimes referred to as the Shell) features a curved back that embraces the sitter and was originally produced by Petersens in Denmark. It went on to also find great success with the Selig company, which imported and sold thousands of copies in various iterations (settees, dining chairs, and more in various woods and upholsteries) in the U.S. market starting in the 1950s. Kofod-Larsen’s striking teak and leather-upholstered Sälen (or Seal) easy chairs for OPE (also 1950s) have become increasingly popular on the vintage market in recent years. 

Kofod-Larsen passed away in 2003. Today, the designer’s pieces have become more frequently collected, in large part due to Kofod-Larsen’s talent for honoring the innate qualities of his chosen materials.

Dutch furniture company Bovenkamp was active in the 1950s and 1960s, based in Hilversum, the Netherlands. While little information about the company’s history has survived, Bovenkamp chairs, lounges, and tables are seeing something of a revival on the secondary market today, attracting enthusiastic collectors thanks to the furniture’s solid, hardwood construction and clean, sculptural lines—clearly influenced by Scandinavian design examples popular in the postwar era. Bovenkamp furniture is easily identified through the company’s mark found on the undersides each piece.

Some dealers in vintage Bovenkamp furniture assert that the company began life as an importer of Scandinavian furniture before opting to produce its own line in the Netherlands, and that this accounts for the Danish design-inspired tapered legs, elegant joinery, and heavy use of teak. As of this writing, however, this fact can only be verified anecdotally.

Notably, Bovenkamp collaborated with a number of Danish designer-craftsmen, such as Arne Vodder and Aksel Bender Madsen, who also worked with manufacturers like Fritz Hansen, France & Sons, and Sibast.