This painting is a work of art of rare beauty and intensity.
The pastiness of the material, the colors, and the texture of this masterpiece create a unique and evocative atmosphere.
Its abstract form makes it perfectly placeable in modern environments.
On the back is a label from an exhibition at Fiamma Vigo's Galleria Numero, one of the most important contemporary art galleries of the 1960s
Certificate of authenticity issued by Sabrina Egidi Expert of the Court and the C.C.I.A.A. of Rome.
This item comes from a private collector and is therefore unheard of on the market
Vincenzo Frunzo was born in La Spezia on August 5, 1910.
He began exhibiting in 1930 and has since then participated in the most important national and international group exhibitions.
In 1948 he formed in La Spezia, with six other avant-garde painters, a group that was called "Group of Seven" for over 3 years he was also its animator.
In recent years he was invited to participate in the most important art exhibitions.
In 1950 at the Venice Biennale, in 1951 at the National Exhibition of Abstract and Concrete Art held at the Galleria d'Arte Moderna in Rome. He joined MAC (Movimento Arte Concreta) in Milan, taking part in all group exhibitions. He was invited to the Rassegna dell'Arte Astratta organized in Milan by the publisher Bompiani with the collaboration of the critic le Noci. He was invited to the Italy-France Exhibition in Turin and later to the Morgan's Paint award in Rimini. The Venice Biennale in 1958 invited him with a "group of works." The following year the Rome Quadriennale also invited him with an entire wall. In the same year, 1959, he moved permanently to Milan.
Held solo exhibitions in: La Spezia, Lucca, Genoa, Turin, Parma, Livorno, Milan, Prato, Bologna, Messina, Forte dei Marmi, Los Angeles, Stuttgart, Verona, Lignano, Trento, Venice, Bremen, London, Palermo, Domodossola, Florence, Pavia, Sassari, Nuoro. Cagliari, Cuneo. Mondovi, Savona, Albisola, Noli, Arenzano, Brescia. Rovereto, Pescara, Olbia, Bagheria, Lerici. His works are found in numerous Italian and foreign private collections and in public galleries and picture galleries.
Vincenzo Frunzo died in Rome in 1999.
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