Vintage Armchair and Ottoman by Alessandro Mendini for Matteo Grassi, 1986, Set of 2

Alessandro Mendini was born in Milan in 1931. Through his work as an architect, designer, journalist, theorist, and publisher, Mendini helped establish the Italian design sensibility on a global scale—with a particular focus on neo-modern, avant-garde design, as well as the crossover between art, design, and architecture.

Mendini’s influential work spanned the arenas of graphics, furniture, interiors, architecture, stage design, writing, and painting. He graduated from the Politecnico in Milan in 1959, and he began his career at the studio of artist-designer Marcello Nizzoli. Mendini went on to become the publisher of the popular magazines Casabella (1970-76), Modo and Domus (each 1979-85). In 1979, he joined Ettore Sottsass and Michele De Lucchi as a partner at Studio Alchimia—a harbinger of the Memphis Group—before he cofounded Domus Academy in 1982. In 1989, he and his brother Francesco established their architectural practice, Atelier Mendini, in Milan, where he worked until his death in February 2019.

Some of Mendini’s most famed works include the Proust Chair for Cappellini (1978), a baroque form hand painted with a colorful, pointillist surface pattern, and the revitalization of the Groninger Museum in the Netherlands (1994), among others. He designed pieces for a variety of brands, including Alessi, Swatch, Philips, Swarovski, many of which have become contemporary design icons—such as his anthropomorphic Anna G. corkscrew (1994) for Alessi, which was inspired by fellow Italian designer and friend Anna Gili.

In recognition of his outstanding body of work, Mendini was awarded the Compasso d’Oro twice, in 1979 and 1981. He was also honored by the Architectural League of New York, made Chevalier des Arts et Lettres in France, and, in 2014, he was awarded the European Prize for Architecture. His work is included in the permanent collections of the Metropolitan Museum and the Museum of Modern Art in New York, and the Centre Georges Pompidou in Paris, among others.

In 2019, Mendini passed away at the age of 87.

In 1880 in the Brianza region of Italy, the Grassi family began crafting saddles, bridles, reins, and other leather equipment for horses. Following World War II, the Grassis joined the rapid industrialization under way in northern Italy and expanded their production to include a wide range of leather goods, especially items for both the home and public interiors. By the late 1970s, Matteo Grassi had built an international reputation for distinctive, finely made leather furniture, from chairs and sofas, to tables and beds. One of the most successful among the brand’s early original designs was Tito Agnoli’s Korium Armchair (1979).

Over the years, Matteo Grassi has worked with an impressive roster of designers, such as Carlo Bartoli, Piero Lissoni, Alessandro Mendini, Franco Poli, Eoos, Luigi Massoni, Jean Nouvel, Matteo Nunziati, Mauro Lipparini, and Rodolfo Dordoni. The brand—associated with high quality materials and generously sleek forms—is well represented in airports and executive offices around the world.

After more than a century of production, Matteo Grassi has recently gone out of business.