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Vintage Teak Side Table by Louis van Teeffelen for Wébé, 1950s

  • Vintage Teak Side Table by Louis van Teeffelen for Wébé, 1950s 1
  • Vintage Teak Side Table by Louis van Teeffelen for Wébé, 1950s 2
  • Vintage Teak Side Table by Louis van Teeffelen for Wébé, 1950s 3
  • Vintage Teak Side Table by Louis van Teeffelen for Wébé, 1950s 4
  • Vintage Teak Side Table by Louis van Teeffelen for Wébé, 1950s 5
  • Vintage Teak Side Table by Louis van Teeffelen for Wébé, 1950s 6
  • Vintage Teak Side Table by Louis van Teeffelen for Wébé, 1950s 7
  • Vintage Teak Side Table by Louis van Teeffelen for Wébé, 1950s 8

About This Piece

Vintage Design

This organically shaped side table was designed by Louis van Teeffelen and produced by Wébé in the 1950s. It has a teak frame and top and rattan webbing.
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Louis van Teeffelen
Manufacturer WéBé
Design Period 1950 to 1959
Country of Manufacture Netherlands
Style Vintage, Mid-Century
Detailed Condition Very Good — This vintage item has no defects, but it may show slight traces of use.
Product Code QVY-269841
Materials Rattan, Teak
Color Brown
Width 72 cm 72 cm
Depth 49 cm 49 cm
Height 64 cm 64 cm
Weight Range Standard — Between 40kg and 80kg

Shipping & Delivery

Ships from Spain
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Louis van Teeffelen

Aloysius (Louis) Allegonda van Teeffelen (1921-1972) was a Dutch industrial designer credited with contributing to the midcentury modern design movement in the Netherlands, and is most well-known for his work with the Dutch furniture manufacturer WéBé.

Biographical information on van Teeffelen is scarce but our editors have ascertained that he was born in in 1921 in the former municipality of Leeuwen, which is located in the province of Gelderland in the Netherlands. Sources state that van Teeffelen became Wébé’s head designer in 1955, but we have little knowledge on his educational background.

As head designer for Wébé, which was located in his hometown, van Teeffelen introduced a classic midcentury Scandinavian aesthetic (which has lead to many mistaking van Teeffelen for a Dane) and a number of popular designs to the Dutch market. Cabinets, desks and tables with anthropomorphic, “smiling” handles along with sculptural structures became van Teeffelen’s signature. His most well-known work is the Pelican Armchair (1960s)—characterized by its beautifully organic and teak form, it is a true Dutch design classic. Not to be confused with Danish designer Finn Juhl’s Pelican Chair (1939), van Teeffelen’s gracefully curved scissor-like legs calls to mind the legs of a pelican, while the arm rests mimic the bird’s beak.

His other work for Wébé includes the Cow Horn Chair (1950s); Scissor Chair (1950s); Easy Chair (circa 1960); an wide array of teak dining tables, coffee tables, sideboards, and desks; and various modular wall systems that feature teak shelves and cabinets. Many credenzas and small cabinets feature ceramic tiles decorating the doors, designed by Dutch ceramist Jaap Ravelli.

Van Teeffelen, who left the company in 1967, was the most significant and successful designer in WéBé’s history. Although WéBé is no longer in business, van Teeffelen’s designs are considered excellent examples of mid-century modern design and are highly sought-after by collectors today.

It is speculated that van Teeffelen also designed products—mainly his signature teak modular wall systems, secretaries and desks—for the Dutch furniture brand Topform around the same time he was designing for Wébé. Our editors are working hard to confirm this story.

Van Teeffelen passed away in his hometown in 1972, at the age of 51.

About the Maker

WéBé

Dutch furniture manufacturer WéBé was founded in 1938 in Benden-Leeuwen (near Tiel). Originally called Walraven and Bevers after its two founders, the company’s name was later shortened to the abbreviated WéBé.

The company had a slow start, but in the 1950s and ’60s it gained major recognition and expanded to become one of the largest furniture producers in the Netherlands. This success had a lot to do with Dutch designer Louis van Teeffelen (1921-1972), who became Wébé’s head designer in 1955. Van Teeffelen introduced a classic midcentury Scandinavian aesthetic and a number of popular designs in a similar style to the work of his contemporary, Poul Cadovius (1911-2011). Casegoods and tables with anthropomorphic, “smiling” handles along with sculptural structures became van Teeffelen’s signature. His work for Wébé includes the Cow Horn Chair (1950s); Scissor Chair (1950s); Pelican Armchair (1960s); Easy Chair (1960s); an array of teak dining tables, coffee tables, sideboards, and desks; and various modular wall systems that feature teak shelves and cabinets.

Van Teeffelen, who left the company in 1967, turned out to be the only significant and well-received designer in WéBé’s history. In the 1970s, the company hit rough times, not only suffering van Teeffelen’s loss but also meeting with increased competition from new low-cost, mass-produced furniture companies. In the 1990s, Wébé ceased manufacturing all together and closed its doors for good. Although the company is no longer in business, van Teeffelen’s designs are considered excellent examples of the midcentury modern movement and are highly sought-after by collectors today. 

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