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Vintage Easy Chair by Kho Liang Ie for Artifort

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  • Vintage Easy Chair by Kho Liang Ie for Artifort 1
  • Vintage Easy Chair by Kho Liang Ie for Artifort 2
  • Vintage Easy Chair by Kho Liang Ie for Artifort 3
  • Vintage Easy Chair by Kho Liang Ie for Artifort 4
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  • Vintage Easy Chair by Kho Liang Ie for Artifort 7
  • Vintage Easy Chair by Kho Liang Ie for Artifort 8
  • Vintage Easy Chair by Kho Liang Ie for Artifort 9

The seller assumes all responsibility for this listing.

About This Piece

Vintage Design

This Kho Liang Ie easy chair from the 020 series was designed for Artifort in 1958, and marked a departure from the chairs Artifort had made before. The characteristic logical and clear structure of the 020 series and the manner in which the elements of the chassis are connected to each other, are clearly visible. The pieces consist simply of four metal legs connected by two black metal beams. This model has been completely restored with new foam and new light green fabric, is marked Artifort Kho Liang Ie, and weighs 26 kg.

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Kho Liang Ie
Manufacturer Artifort
Design Period 1950 to 1959
Production Period 1960 to 1969
Country of Manufacture Netherlands
Literature Sources Book: Kho Liang Ie, publisher 010, pages 45 and 58
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Mid-Century
Detailed Condition Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Restoration and Damage Details
Light wear consistent with age and use, Minor spots on fabric, some tiny rust spots on the base, restored
Product Code BO-170859
Materials Metal, Upholstery
Color Green, silver
Width 70 cm 70 cm
Depth 66 cm 66 cm
Height 74 cm 74 cm

Shipping & Delivery

Ships from Netherlands
Returns Returns accepted within fourteen days of delivery, except for Made-to-order items

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  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Product Safety Information

EU Responsible Person Published before Dec 13th 2024

About the Creator

Kho Liang Ie

Kho Liang Ie

Outside of the Netherlands, Dutch designer Kho Liang Ie is best known for his work at Artifort, as well as his interiors for the Schipol airport in Amsterdam (1967). To the Dutch, however, he's considered one of the most significant talents of 20th-century design, and a prestigious design award was named in his honor.

Born in 1927 to Chinese parents in Magelang, Indonesia, Liang Ie moved to the Netherlands in 1949. Between 1950 and 1954, he studied interior and industrial design at Amsterdam's Instituut voor Kunstnijverheidsonderwijs, now part of the Rietveld Academy. After graduation, he took a position with the Stichting Goed Wonen, an organization dedicated to using good design to aid the postwar recovery efforts. In 1958, he was appointed aesthetic consultant and designer at Artifort. During his tenure there, he not only created a number of wildly succussful designs, but also was responsible for pursuading Artifort to commission designs from major international designers, like Pierre Paulin and Geoffrey Harcourt.

Standout designs for Artifort include the Lamp K46 (1957-59), Squareline collection (1958-61), 416 Seating (1961-66), Series 070 Sofa (1962-64), 720 Banquette Sofa (1966), 820/822 Table (1967), C662 and C684 Sofa (1968), Flower Tables (1968-70), and 656 Chair (1970s).

Liang Ie produced designs for other manufacturers as well, such as the J Series collection for Fristho (1956-60), Landereis and Lieshout Tables for 't Spectrum (1958-62), Terrace Chair for C. A. Ruigrok Industrie (1960), a credenza for Kempkes (1960), Copal Credenza for Fristho (1960-63), and tile collections for ceramics company Royal Mosa (1964-70).

At a time when Dutch design generally embraced an austere, industrial aesthetic, Liang Ie introduced what would later be called a "space age" style, anticipating the postmodern movement that would come to the fore in the 1970s and '80s. While his forms maintain a simplicity and rationality in line with modernism, his experimental approach to materials resulted in a warmth and freedom that was uniquely his own in postwar Netherlands.

Much too young, Kho Liang Ie died in January, 1975. His designs, however, live on the collections of many important Dutch museums, including Museum of Boijmans Van Beuningen (Rotterdam), Stedelijk Museum (Amsterdam), and Museum Catharijneconvent (Utrecht).

About the Maker

Artifort

Artifort

Wallpaper hanger and upholsterer Jules Wagemans (1866-1943) laid the foundation for Dutch manufacturing brand Artifort when he opened his bespoke furnishings atelier, H. Wagemans & Van Tuinen, in Maastricht in 1890. In 1920, his son Henricus Wagemans (1892-1948) took the helm and re-focused the company on the production of solid, well crafted, upholstered armchairs and other seating in traditional styles. In 1927, Henricus changed the company name to Artifort, which he derived from the Latin words, “ars,” meaning “art,” and “fortis,” meaning “strength.” Moving on a trajectory toward an ever-more progressive design approach, in the early 1930s, Artifort acquired a patent for “Epeda” single-steel-wire springs, which had already been used in mattresses and car seats, but never before in domestic furniture. This innovation allowed Artifort to produce more comfortable chairs and sofas in less time and with fewer materials. 

In 1939, Dutch designer Theo Ruth (1915-1971) became head of design and development—a position he maintained until his death in 1971—and proved instrumental in establishing Artifort as one of the most design-conscious companies of the 20th century. After World War II, under the directorship of Henricus’s son H. J. J. (Harry) Wagemans (b. 1921), Artifort acquired a high-pressure molding machine, which allowed for much more minimalist yet cushioned designs. Early examples of this reduced style include Ruth’s Congo Chair (1952) and Penguin Chair (1953).

Artifort’s signature vibrant and biomorphic aesthetic fully blossomed when Dutch designer Kho Liang Ie (1927-1975) agreed to consult for the company, starting in 1958. In addition to designing a number of iconic pieces for Artifort, Kho instigated important collaborations with foreign designers, most notably French designer Pierre Paulin (1927-2009) and British designer Geoffrey Harcourt (b. 1935). As tastes for space-age designs peaked in the 1960s and 1970s, Artifort found international success, especially with Paulin’s colorful, jersey-covered “seat sculptures,” like Orange Slice Chair (1960), Model 560 Mushroom Chair (1963), Model 582 Ribbon Chair (1966), and Model 577 Tongue Chair (1966-7). Since the 1970s, a variety of standout designers have collaborated with Artifort, including Gijs Bakker, Jasper Morrison, René Holten, Patrick Norguet, and Khodi Feiz.

Artifort pieces are included in the Museum of Modern Art in New York, the Victoria & Albert Museum in London, the Musée des Arts Décoratifs and Centre Pompidou in Paris, and Vitra Design Museum in Weil am Rhein. 

In 1998, the Lande Group in Schijndel purchased Artifort from the Wagemans family, opening new factories in Schijndel and Lanaken in Belgium. The company celebrated its 125th anniversary in 2015. 

 

* All images courtesy of Artifort.

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