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Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2

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  • Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2 1
  • Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2 2
  • Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2 3
  • Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2 4
  • Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2 5
  • Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2 6
  • Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2 7
  • Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2 8
  • Vintage Leather & Chrome Model B35 Armchair and Footstool by Marcel Breuer for Thonet, 1980s, Set of 2 9

About This Piece

Vintage Design

An early 20th Century designed lounge chair set by Marcel Breuer featuring a cantilever chrome and tan leather lounge chair with matching footstool.
Marcel Breuer was one of the key architects and designers of the 20th Century and one of the most influential exponents of modernist design having both studied and taught at the Bauhaus school of design. He is credited with creating the first chrome tube chair, The Wassily Chair, in 1925 using the new manufacturing techniques and materials available at the time. From there he specialized in his now famous range of cantilever chair designs which have become icons of 20th Century design.
The B35 is one such chair that uses a combination of bent beech wood and saddle leather set within a cantilever tubular chrome frame to create a chair with an outstanding aesthetic and that is also supremely comfortable. This comfort is increased with the use of the matching footstool. Originally designed in 1928 this set was produced by Thonet, who were the original producer of the chair, probably in the 1980’s and each piece is labelled accordingly as shown.
The set is presented in very good vintage condition with marks and patina to the leather along with a little fading, as shown, here and there commensurate with age that actually adds to the overall appeal. The chrome and wooden elements are also in very good condition with no major marks, or rust pitting to speak of.
All in all a beautiful and iconic set that would be equally at home in a reception room, living room, conservatory or bedroom setting
Dimensions:

Armchair
H83 x W65 x D83 cm
Seat Height - 35 cm
Footstool
H36 x W56 x D67 cm

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Marcel Breuer
Manufacturer Thonet
Design Period 1920 to 1949
Production Period 1980 to 1989
Country of Manufacture Germany
Identifying Marks This piece has an attribution mark
Style Vintage
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
Restoration and Damage Details
Light wear consistent with age and use, Patina consistent with age and use, Some marks and patina to the leather, Leather somewhat faded
Product Code OQF-667302
Materials Chrome Plating, Aniline Leather
Color Tan
Width 65 cm 65 cm
Depth 83 cm 83 cm
Height 83 cm 83 cm
Seat Height 35 cm

Shipping & Delivery

Ships from United Kingdom
Returns Returns accepted within fourteen days of delivery, except for Made-to-order items
Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Marcel Breuer

Born and raised in Pecs, Hungary, famed modernist architect-designer Marcel Breuer earned a scholarship to study painting and sculpture at Vienna Academy of Fine Art in 1920, but quickly dropped out and applied to the Bauhaus school in Weimar, Germany. After completing his preliminary courses there, he trained at the Bauhaus furniture workshop between 1921 and 1924. He then went on to run the furniture workshop at the new Bauhuas in Dessau, where he created what is cited as the first tubular steel armchair (1925-1926), presented in 1927 as the Type B3 Steel Club Chair (and later renamed the Wassily after Bauhaus teacher Wassily Kandinsky).

After a brief spell in Switzerland Breuer joined former Bauhaus director Walter Gropius in London in 1935. As Breuer’s career progressed, he began to focus more on architectural projects than design. In addition to his tubular steel furniture and plywood pieces for the Isokon company, he was recognized for residences, shop interiors, and multiple competition entries.

In 1937, Breuer and Gropius moved to the US, both teaching for a time at Harvard and briefly partnering in an architectural practice. Together, they designed the Pennsylvania Pavilion for the 1939 New York World’s Fair in addition to multiple private dwellings. Their partnership dissolved in 1941, but the two remained friends. In 1946, Breuer left Harvard and opened an office in New York. Over the course of the rest of his career, Breuer designed over seventy private houses and multiple university and office buildings. Notably, in 1948, the Museum of Modern Art in New York organized a touring exhibition of his work, and the following year, commissioned him to design a house in its garden; both events significantly boosted Breuer's career. In 1953, he designed UNESCO’s headquarters in Paris with Pier Luigi Nervi and Bernard Zehrfulss, and, in 1963, he designed the Whitney Museum of American Art in New York.

Breuer died in New York in 1981.

About the Maker

Thonet

Thonet—the oldest surviving furniture company in the world—began its long life in 1819, when cabinetmaker Michael Thonet (1796-1871) established a furniture workshop in Boppard, Germany. A proponent of the Biedermeier style, he specialized in chairs, tables, and storage pieces characterized by clean lines, reduced ornamentation, and an emphasis on functionalist principles. By the 1830s, Thonet’s experiments in laminated and steam-bent wood furniture, like his famous Boppard Chair (1836), brought international acclaim. Thonet’s designs achieved a combination of lightness, durability, and comfort unknown in European furniture at the time.

A great fan of his work, Prince Metternich of Austria invited Thonet to present his designs to the Viennese court in 1842. Finding so much support there, Thonet opened a new company in Vienna in 1849. In 1853, he transferred his company to his sons, and Gebrüder Thonet was established.

Through the second half of the 19th century, Gebrüder Thonet designs grew increasingly popular with the cultural vanguard, especially among progressive design thinkers and tastemakers. One design in particular, the No. 14 Café Chair (ca. 1859), led the way to international success: the chair’s innovative bending technique was well suited to industrial production, and its rationalized, easily assembled structure allowed for efficient packing and shipping. In 1850, Anna Daum famously outfitted her fashionable Viennese café with No. 14 Chairs, and by the 1870s, Gebrüder Thonet had sales offices across Europe and the US. To date, more than 50 million No. 14 Chairs have been sold worldwide–not counting the untold pirated copies.

Iconic pieces from the traditional Gebrüder Thonet collection include Rocking Chair No. 1 (1860), No. 14 Café Chair (ca. 1859), Adolf Loos’s Café Museum Chair (1899), No. 209 Armchair (ca. 1900), Otto Wagner’s No. 247 Postal Savings Bank Chair (1904), and Josef Hoffmann’s No. 811 (1925). In the early years of the 20th century, Gebrüder Thonet also began producing designs in bent tubular steel by Bauhaus masters like Marcel Breuer, Ludwig Mies van der Rohe, and Mart Stam.

In the aftermath of World War II, Thonet lost all of its production facilities in Eastern Europe, and the sales office at Vienna’s Stephansplatz had been destroyed. Between 1945 and 1953, Georg Thonet, the great-grandson of company founder Michael Thonet, led the rebuilding. Economic success returned quickly. In the ensuing decades, the company commissioned designs from many outstanding designers, such as Verner Panton, Pierre Paulin, Norman Foster, James Irvine, Piero Lissoni, and Stefan Diez. Classic Thonet pieces can be found in museum collections around the world, including the Museum of Modern Art in New York, the Centre Pompidou and Musée d'Orsay in Paris, the Vitra Design Museum in Weil am Rhein, the Pinakothek der Moderne in Munich, the Austrian Museum of Applied Arts in Vienna, and the British Museum and the Victoria & Albert Museum in London.

In 1976 Thonet was divided into two separate German and Austrian companies, which remain independent of each other. Today, Thonet GmbH is headquartered in Frankenberg, Germany and continues to manufacture the original, bentwood and tubular steel designs alongside new pieces by contemporary, international architects and designers. Originally opened in 1861 by Thonet himself, the furniture factory TON (Továrna Ohýbaného Nábytku), which is located in what is known today as the Czech Republic, continues to manufacture Thonet designs. 

* All images courtesy of Thonet.de

€7,751
Price per set
Incl. VAT (if applicable) excl. shipping

Only one set available

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